The process of purchasing a violin may appear difficult at first, but by adhering to a few easy rules, you may ensure that you end up with a fine instrument. Following these guidelines will ensure that you find the ideal violin within your price range.
Materials
The quality of a violin's sound is directly related to the care used in its construction. The type of wood used in an instrument's manufacture is a major factor in its final tone.
Spruce is by far the most popular wood for violins. It's an unusual hardwood with excellent reverberation properties. The wood needs to be aged for a number of years in order to provide a high quality sound.
Spruce is used frequently, although maple, Brazilian rosewood, and willow are all popular options. The gorgeous wood grain found in these materials greatly improves the aesthetic value of the final product.
The bow's substance is just as crucial as the wood used to manufacture it. Horsehair is the standard material for bows. High carbon steel is commonly used for strings.
Purfling
A violin's aesthetic appeal is greatly enhanced by the use of purfling. As an added bonus, it prevents fractures from spreading over the back plate. In addition, it's a mark of quality workmanship.
Many manufacturers choose maple and ebony, although some prefer to work with dyed poplar and pear wood instead. Some low-quality instruments also have this purfling.
Ebony dust is used to inlay the purfling. It can also be formed of paper that has been dried and hardened. It's possible that some manufacturers even painted the purfling.
Typically, there are three narrow strips used to create purfling. About half a millimeter of thickness characterizes each individual strip. A lighter wood is used for the inside strip, while ebony is used for the outside strips.
The purfling of a stringed instrument is installed only millimeters from the edge. Hide glue is then used to adhere the strips in place.
Fretboard
A violin's fingerboard is built differently from that of other stringed instruments. The bridge and fingerboard make up its two-part design. The strings are held in place above the fingerboard by a thin maple bridge.
The height of the bridge is 30 mm, and its circumference is 40 mm. The height may be changed to accommodate a variety of playing heights. The body of the violin is protected from unwanted vibrations because to its height. The bridge may be constructed from a variety of materials.
Two little feet on the bridge keep the string from sliding out of position. Ebony is the traditional material for the chin rest. The scroll case is constructed from yet another kind of wood.
The vibrations of the strings are transferred to the body via the bridge. A rod 6 mm in diameter serves as the bridge's soundpost, which is located close to the right foot of the structure. The vibrations of the top string are muffled by this curved piece of wood.
Shade of Tone
Having a pleasing tone is crucial for every musician. Your ability to focus and enjoy playing will increase proportionally with the strength and clarity of your tone.
Mastering bow speed and pressure is essential for playing at a professional level, regardless of the instrument. You may need to invest in a new violin if you are unable to achieve this.
The rosin you choose will impact the sound of your instrument. It's not too expensive, but it needs to be replaced frequently. Your violin's rosin will dry out and lose its effectiveness in no time.
You shouldn't scrimp on rosin since it helps maintain your violin in tune. One of the greatest methods to improve your tone is to use a rosin that has the appropriate amount of grip on the strings.
Cushion for the Shoulder
Purchasing a quality shoulder rest for your violin will lessen the negative effects of back vibrations on your playing and improve the tone of your instrument. The finest shoulder support is the one that molds to your body. Ask your violin instructor for advice on which shoulder rest will work best for you. They can advise you on the optimal placement of your violin and shoulder rest.
Wooden shoulder supports have long been regarded the gold standard. However, carbon fiber versions have appeared in recent years. Some nice ones have been found, although they tend to be more pricey.
The metal legs of the shoulder rests might be irritating to certain players. Violinists might benefit from the solid support and lightweight design of a wooden rest.
